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Coraline

Wandering her rambling old house in her boring new town, Coraline (Dakota Fanning) discovers a hidden door to a fantasy version of her life. In order to stay in the fantasy, she must make a frighteningly real sacrifice.

Coraline

Wandering her rambling old house in her boring new town, Coraline (Dakota Fanning) discovers a hidden door to a fantasy version of her life. In order to stay in the fantasy, she must make a frighteningly real sacrifice.

Coraline

Wandering her rambling old house in her boring new town, Coraline (Dakota Fanning) discovers a hidden door to a fantasy version of her life. In order to stay in the fantasy, she must make a frighteningly real sacrifice.

Coraline

Wandering her rambling old house in her boring new town, Coraline (Dakota Fanning) discovers a hidden door to a fantasy version of her life. In order to stay in the fantasy, she must make a frighteningly real sacrifice.

Coraline

Wandering her rambling old house in her boring new town, Coraline (Dakota Fanning) discovers a hidden door to a fantasy version of her life. In order to stay in the fantasy, she must make a frighteningly real sacrifice.

Coraline

Wandering her rambling old house in her boring new town, Coraline (Dakota Fanning) discovers a hidden door to a fantasy version of her life. In order to stay in the fantasy, she must make a frighteningly real sacrifice.

TRIVIA

Completing the film involved more than 500 people over four years. Principal photography alone took 18 months.
The Fantastic Garden was the most complex set created for the film, featuring hundreds of handcrafted flowers, most of which had their own individual light sources.  Many of the flowers had to be built so that they could move or grow for the shots of Coraline entering the garden.
Coraline's tiny gloves were knitted by hand by a miniature knitter, who made six pairs of gloves with silk. A single garment that small took anywhere from six weeks to six months from conceptual design to finished product.  Some of the needles used were as small and fine as human hair.
The Jumping Mouse Circus sequence had as many as 51 carefully choreographed mice onscreen at once, each needing to be replaced with a slightly different mouse 12 times for every second of film. In the end, over 650 different mice—or 6,000 separate parts—were created ranging in scales from 100% to 222%.
The Coraline puppet had 42 different wigs. Her hair was a special blend of three colors and was made of everyday hair products that included Got2Be Glued Hair Cement and Garnier Fructis Texture Paste.
Typically it took 10 people about 3-4 months to construct a single Coraline puppet. Coraline had 28 identical puppets, the main one of which stood 9-3/4 inches tall.
A total of 15,000 replacement faces were created for all the characters in the film, each one of which had to be hand-sanded and hand-painted. Coraline alone had over 6,300 face replacements.
The film required more than 70 character fabricators, puppet wranglers, armaturists, mold makers, character painters, costume designers and fabricators, and hair and wig fabricators.
A total of 35 animators worked on the film. On average, each animator completed anywhere from 2.22 to 6.52 seconds of footage per week.
With Coraline, LAIKA has become the first company to do a feature-length movie using replacement faces printed on a 3D printer. Instead of ink on paper, 3D printing uses a UV-sensitive resin and support material that is sprayed down in a layering process that builds objects in 3D space.

news

HOMEBOUND WATCHLIST: WHERE TO FIND LAIKA’S OSCAR-NOMINATED FLICKS
Acclaimed stop-motion studio LAIKA has compiled a helpful guide on where to find their five artistically bold and highly enjoyable Oscar-nominated features — available across a range of physical, streaming and digital platforms in the U.S., Canada and U.K.
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LAIKA GIVES BEHIND-THE-SCENES LOOK OF THEIR PET HOSPITAL FOR CORALINE
I freaking love LAIKA studios. Their work is amazing and I think stop-motion animation is highly underrated.
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FROM CORALINE TO KUBO: A LOOK AT THE EVOLUTION OF LAIKA’S STOP-MOTION ANIMATION
LAIKA has managed to reinvent themselves with each and every feature film they’ve released.
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CORALINE MAKERS REVEAL HOW THEY SCULPTED 6,333 FACES FAST
Stop-motion animation plus 3D printing results will be honored at the Academy’s Sci-Tech Awards, which will be hosted by Jason Segel and Olivia Munn.
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FROM CORALINE TO KUBO: LAIKA’S ARTISTIC AND TECHNOLOGICAL JOURNEY
At times, achieving these films loomed as insurmountable as their characters’ journeys.
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CORALINE — FILM REVIEW
Gaiman's fanciful tale takes on the classical "grass is always greener" theme within the context of an old and mysterious house.
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CORALINE IS GETTING A NEW ACTION FIGURE FOR COMIC-CON THIS YEAR
NECA made the initial toys for Coraline, but none of LAIKA's films have had toys since, even though all their characters are extremely “toyetic.”
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25 BEST HALLOWEEN MOVIES OF ALL TIME
This stop-motion masterpiece is a cautionary tale for anyone who has ever thought the grass might be greener (through the hidden door in the bricked-up passageway).
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OTHER MOTHER CORALINE INSPIRED MAKEUP HALLOWEEN
Artist Cat Jordan has a Coraline-inspired look that will impress — and unsettle — everyone at your next Halloween party.
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awards

AMERICAN FILM INSTITUTE WINNER
One of the best feature films of the year
BAFTA CHILDREN’S AWARD WINNER
Best Feature Film
SAN FRANCISCO FILM CRITICS CIRCLE ALLIANCE OF WOMEN FILM JOURNALISTS
Best Animated Feature
ANNIE AWARDS & NOMINATIONS
Best Character Design Award • Best Production Design Award • Best Music Award • Plus 5 More Nominations
GOLDEN GLOBE NOMINATION
Best Animated Feature Film
BAFTA NOMINATION
Best Animated Feature Film
ACADEMY AWARD® NOMINATION
Best Animated Feature Film

reviews

"5 Stars! Beautiful!"
“This is the animated film as art.”
“Exquisite. A bona fide fairy tale.”
“Grade: A. A thrilling stop-motion animated adventure.”​
“A magical tale. A remarkable feat of imagination."